Lee Stanton Blog



Room At the Top

Room At the Top

Architect Piero Lissoni's Milan apartment is a study in lively, livable minimalism. Proof that spare and considered doesn't need to be sterile or overly complicated, the look Lissoni's created blends mod dynamism with easy grace.  

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Photo: Martina Giammaria for T Magazine.


Invisible Cities

Invisible Cities

Nestled in the sloping hills of Umbria, a rare architectural gem by midcentury visionary Tomaso Buzzi continues to mystify. His dramatic proposal for an ideal metaphysical city draws on Surrealist influences like Dalí and Calvino, as well as the Medieval, Renaissance, Baroque, and Brutalist architecture he was exposed to as a youth. Like something out of a mythic fever dream, La Scarzuola is a panoply of archetypal mashups. 

Buzzi worked on the project between 1958 and 1978, though at the time of his death it remained unfinished. In the 1980s however, the architect's nephew, Marco Solari, took on the complex task of completing his uncle's vision. Using original sketches and blueprints, Solari was able to finish what Buzzi started, and now presides as the site's director. 

With an emphasis on dreams, spirituality, and the natural world, Buzzi aimed to produce the means by which a visitor might psychically journey inwards, towards discovery of the self. The result, a Neo-Mannerist, mad-hatter mashup of style and symbology, abounds in monuments to various world religions and architectural masterpieces; replicas of the Acropolis and Colosseum brush up against triumphal arches, the Tower of Babel, a pyramid, and an enormous sea creature meant to invoke, as Buzzi imagined it, the personal transformation Jonah experienced after his three days in the whale.

Buzzi's fantastical creations are full of contradiction and surprise, reverence and abandon. Mixing together human, animal, and otherworldly features, the architect's creations are endowed with a mystical, sphinx-like appeal. "The stones will speak of you," he wrote.

La Scarzuola derives its name from a type of marsh grass native to the area known as scarza. It's significant for being the material St. Francis of Assisi used to first build his shelter on the site. Indeed, each of Buzzi's creations at La Scarzuola are possessed by a range of personal and esoteric significances. He felt the site was, in many ways, "an autobiography in stone."

The overall layout of La Scarzuola was designed to form a large ship, where its visitors are invited to metaphorically embark on a journey into their innermost soul. Here, a sharp-sided tower stands like a fortress at its helm. 

Buzzi's interest in various forms of spirituality, as well as the ways in which architecture finds its intersection produces a rich dialogue of reference. Utterly modern and yet driven by a love for the ancient, La Scarzuola feels like stumbling into the ruins of a lost city from another dimension.  

Photo: Pieter Estersohn for The World of Interiors


A Room of One's Own

A Room of One's Own

Stately yet personal, Anouska Hempel's sunny Palladian estate remains a classic. Perhaps because even the most mundane details have been treated with imagination and care, the designer's 18th century manor home strikes a singular note of intimacy and drama.  

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Photo: Helen Cathcart for Architectural Digest


Cloud Nine

Cloud Nine

 
One part home, one part gallery, one part atelier, the multifaceted space of Milan's Gentucca Bini is minimal yet relaxed. I love how her use of white opens up the space, offsetting a dynamic mix of industrial and natural textures. Get the look with similar items from Lee Stanton below. 
 
 
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Photo: Depasquale + Maffini for AD Italia

Shades of Gray

Shades of Gray

The warm yet brutalist look London architects McLaren Excell have given to this Hampstead home takes a wonderfully fresh perspective on deconstructed luxury. Industrial materials like concrete and iron are softened by warm, well-patinated leather and natural fibered textiles. A sultry, tonal color palette is enlivened by an emphasis on natural light.

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Photo: Taran Wilkhu for Elle Decoration UK

In the Borgo

In the Borgo

 
A refined sprezzatura defines artist Domitilla Harding's bohemian Tuscan farmhouse. I love her bold embrace of color and local craft, especially in concert with her own work, and the home's original, hearty, rustic bones. The effect produced is a breezy sort of glamour, lively and full of personal esprit. 
 
 
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Harding's embrace of a colorful yet sunbaked palette steeps the home with a cheerfulness and barefoot elegance that is anything but contrived.
 
 
  
 
 
 

A wood and wicker covered pergola makes the ideal setting for breezy summer lunches in the shade.  

Here, a display of hats is at once functional and decorative.  

 
Humble yet refined, each room is possessed by its own unique brand of whimsy.
 
 
Perhaps most striking to me is the balance of coziness and breeziness that permeates the space. From the hand-painted stucco walls to the original terracotta floors and lofty, wood-beamed ceilings, the home is a celebration of la dolce vita.
 
Photo: Simon Upton for The World of Interiors

Haute Take

Haute Take

 
French design star Hugo Toro has brought his singular vision to this luxurious and dramatic Paris pied-à-terre. With its theatrical sense of scale and offbeat sensuality, the space feels refined yet approachable. 
 
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Photo: Stephan Julliard for Elle Decor

A Family Affair

A Family Affair

Photo: Simon Upton for Elle Decor

A multigenerational masterpiece, Milan's Casa degli Atellani is the work of over one hundred years of Castellini family flair. The 15th century palazzo was renovated in 1919 by legendary architect Piero Portaluppi, and again following WWII. Its most recent revisioning has been at the hands his grandson, architect Piero Castellini Baldissera, who now resides in his grandfather's old quarters. Exuberantly refined, the compound pays lively tribute to the family's legacy for design. 

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