Lee Stanton Blog



The Power of Love ... at Home

The Power of Love ... at Home

Display of antique objects from Lee Stanton's home

Lifestyle changes usually happen over years and even decades. If you are like me, you can remember your lifestyle changes at home. Remember when living at home meant living with your parents? And then with roommates? Remember when you finally had a home you could call your own? Remember when you furnished your first home and the compromises you had to make? 

Then priorities changed. You got busy with your career and social life. Long days at the office, lengthy commutes, travel and late nights out with clients or friends limited your life at home. In essence you became an empty nester from our own home.

Recent events have changed our lifestyles once again and more rapidly than we ever expected. We are now spending more time at home with those compromised things in our homes. We are living in a space that we never finished or with things we "just got" to fill a space or serve a purpose thinking they “will do” for the time being. We never really “loved” them. We never really thought of them as a long term investment. We thought that we would eventual replace them. However, we never got around to it because we were busy with other priorities in our lives.

As an antiquarian, I am fortunate that the things that I have lived with in my home over the years have come and gone allowing me to edit and live only with the things I love. Whether it’s by the nature of my profession as a curator of antiques or the joy of being a collector with the satisfaction of upgrading my collection, I have managed to edit and eliminate the things I could live without and keep only the things I still love to this day. As a result, the more time I spend at home, the more I appreciate the things in my home from a different perspective. They have evolved with me. They tell stories. They tell my story. 

      
Home of late gallerist Karten Schubert 
via World of Interiors

With this in mind, I am reminded of an article in World of Interiors about a gallerist and collector in London who curated his home as he did his gallery. The photos from his home provided a visual understanding of his life through his belongings. As we all look forward to once again have guests into our homes, this story begs a big question. Does the belongings in our home provide an understanding of where we have been and where we are in our lives. Are they a proper reflection of our lives and what we love?

I feel a sense of pride when clients tell me that no matter how much their home has evolved they still get joy from the items that were sourced from me. There is a sense of satisfaction in knowing that as their lifestyles changed, especially as they spend more time at home, their love for these items remained constant and maybe even got stronger over time.

There is no doubt about it, our lifestyles have changed in a matter of months. We are realizing new priorities. As we spend more time in our homes, we are questioning the things in our homes. With this in mind, I say love it or let it go. Start a new relationship. Move on from the things you have “just lived with” over the years and start living with the things you love. Start realizing the power of love...at home.

- Lee 


Top Picks: DISC Interiors

Top Picks: DISC Interiors

Design duo of DISC Interiors

“We have always been inspired to bring in antiques and vintage furniture in to our projects because those pieces bring a soulful and unique edge to the homes we create. The layered patina from a beat up leather sofa, or an old wood cabinet mixed with soft neutral textures, helps to balance both newer homes but also homes that have been built years and years ago. We like homes that feel comfortable, sophisticated and put together yet feel as if they have always been there. We like homes to tell a story and the inclusion of antiques tell a rich, layered and historical story to the homes we work on, this is important to us as designers and to our clients”

- Krista Schrock + David John Dick, principals at DISC Interiors 

TOP PICKS

AN EBONZIED BLACK OAK BOOKCASE WITH THE ORIGINAL BRASS CAPPED HINGES - France, 1880

"A great and statement making library cabinet, love the darkness of the black paint."


AN EBONZIED BLACK OAK BOOKCASE WITH THE ORIGINAL BRASS CAPPED HINGES - France, 1880 (view item)

PAIR OF ARTS AND CRAFTS WOODEN ARM CHAIRS UPHOLSTERED IN KILIM FABRIC FROM LATE 19TH CENTURY ENGLAND - England, 1890

"Great accent chairs for a living room or at the head of a dining table."


PAIR OF ARTS AND CRAFTS WOODEN ARM CHAIRS UPHOLSTERED IN KILIM FABRIC FROM LATE 19TH CENTURY ENGLAND - England, 1890 (view item)

SIDEBOARD CHEST OF DRAWERS WITH STONE TOP - France, 1890

"Love the mix of rustic oak with the stone top - great for an entryway."


SIDEBOARD CHEST OF DRAWERS WITH STONE TOP - France, 1890 (view item)

ENGLISH FOOT STOOL WITH UPHOLSTERED BLACK LEATHER AND STUDDED TRIM - England, 1890

"A patina stool - a great addition in front of a fireplace to bring in some soulful edge."


ENGLISH FOOT STOOL WITH UPHOLSTERED BLACK LEATHER AND STUDDED TRIM - England, 1890 (view item)

LATE 19TH CENTURY GLAZED YELLOW AND BROWN PITCHER POT FROM FRANCE - France, 1880

"A unique pitcher to serve drinks to friends on the terrace."


LATE 19TH CENTURY GLAZED YELLOW AND BROWN PITCHER POT FROM FRANCE - France, 1880 (view item)

UPHOLSTERED ARM CHAIR - England, 1860

"A beautiful arm chair for desk."


UPHOLSTERED ARM CHAIR - England, 1860 (view item

 ABOUT DISC INTERIORS

Founded in 2011 by interior designers Krista Schrock and David John Dick, DISC Interiors has been hailed for creating warm modern designs that exude an “enviable California vibe.” Inspired by natural materials, tonal color palettes, and the distinctive work of artisans and craftspeople with whom they work, the duo strives to create homes that are as stylish and refined as they are effortless and comfortable. Krista and David’s combined backgrounds in styling and visual art, respectively, bring distinct yet complementary perspectives on interior design to their practice. Together, they seek out the finest in bespoke furnishings and patinaed vintage pieces to design their projects, which span from California to Maine. The result is homes rich with diverse textures and handcrafted furnishings that balance artful ease with modernity. 

A SELECTION OF THEIR WORK 

Photo via DISC Interiors

 

DISC Interiors - Los Angles

Photo via DISC Interiors

DISC INTERIORS - Living Room

Photo via DISC Interiors

 

 


Bringing the gallery home

Bringing the gallery home

Home of Karsten Schubert
Inside the flat of the late gallerist Karsten Schubert in London which was recently published in October issue of World of Interiors. The home has a muted and sophisticated ora with gallery like features. As any true gallerist, Schubert was a collector and his personal home is filled with roman sculptures, oil and charcoal paintings to name a few. What a privilege it is to see or to understand a persons life through through their personal belongings.
 
Photos by: Jan Baldwin

GET THE LOOK 
EARLY 20TH CENTURY COLLAPSABLE CANVAS CAMPAIGN CHAIR CARVED PLASTER BUST ON WALNUT STAND 19TH CENTURY WOOD DESK CHAIR FROM ENGLAND. CURVED BACK SEATING AND STUDDED UPHOLSTERY


Home of Karsten Schubert - World of Interiors

GET THE LOOK
1860S FRENCH RECTANGULAR CHERRYWOOD EXTENSION TABLE.  OIL PAINTING OF ANTWERP CIRCA 1900. MID-CENTURY ADJUSTABLE METAL LAMP ON TRIPOD WHEELED BASED FROM ENGLAND.




London Flat of Karsten Schubert as seen in World of Interiors
GET THE LOOK
LATE 19TH CENTURY MAHOGANY FRENCH BUTLER'S TRAY ON FOLDING STRETCHER. OIL PAINTING OF BUSTS FROM FRANCE CIRCA 1950. 1880 Chest of Drawers 




Karsten Schubert - London Flat - World of Interiors
GET THE LOOK
PAIR OF ARTS AND CRAFTS WOODEN ARM CHAIRS UPHOLSTERED IN KILIM FABRIC FROM LATE 19TH CENTURY ENGLAND Metal Plinth LATE 19TH CENTURY DOUBLE FOLDING CHAIR FROM FRANCE. (FOUR AVAILABLE)




The London Flat of the late Karsten Schubert - World of Interiors
GET THE LOOK



An illustrators life

An illustrators life

An illustrious design by Casa Josephine for Spanish illustrator Silja Goetz was recently featured in the March issue of AD España. This beautiful home in Madrid, Spain has a touch of fantasy and a perfectly imperfect mix of furniture pieces. We especially love the handsome wood tones of the furniture pieces and the accessories which a pop-up of earthy colors. 
Photos by: Mirta Rojo

GET THE LOOK 
  

GET THE LOOK
  
GET THE LOOK
  
GET THE LOOK

Age Is Beauty

Age Is Beauty

There is no argument that antiques add a level of experience, knowledge and sophistication to our homes. They bring a layer of history, culture and character into our homes that we may have never otherwise experienced. When we think of antiques, we often think about fine and well-preserved antiques sought out by museums and serious collectors that are admired but hardly touched. However, antiques are often overlooked because of their patina that can actually bring texture and endearing beauty into even the most edited and or grandest of homes. The patina from age and the life that it has led humbles the historical, cultural and sophisticated experience. It adds a sense of familiarity and comfort just as just as a gentle smile of a favorite aunt, uncle or grandparent adds to our life. They come with a story that we can learn from and share with others. With that in mind, I suggest we explore the aging process and perhaps even consider objects with patina as an art form and embrace the patina that incurs with age as beauty.

Let’s start with furniture. We have all seen wood from a lumberyard. It usually is soft, porous and aesthetically one-dimensional. For that reason wood is often cured. The curing process allows the wood to release moisture, protects against decay, prevents it from warping and helps prepare the wood to receive surface finishes. Let’s relate this process to something we can savor. We don’t enjoy wine from grapes when they are first pressed. Wine makers usually put them first into stainless tanks to control temperature, stabilize and begin the fermenting process.

After the wood is cured it is used to make new furniture. What characteristics do you think wood has at this stage? It probably lacks the characteristics that wine lacks after first sitting in stainless steel tanks. As we know wine is aged in wood barrels. Fine winemakers transfer the wine into wood barrels to continue the slow and more natural process and allow the wine to age and take on the rich characteristics we all enjoy.

The fermentation and aging of wine is perhaps the most important aspect of creating an outstanding finished product. The aging process can make the difference between producing a mediocre product versus an award winning wine with characteristics that discerning tastes savor and appreciate.

Leather, metal and pottery also take on a discerning patina as they age that is hard to accomplish with items that have not been enjoyed and cared for offer time.

Taking the patina process to the next level, let’s consider raw objects in their purest state. Items such as workbenches, wine tasting tables, comfy leather club chairs and industrial pieces that were never really intended to be refined but rather used and abused. These pieces actually celebrate imperfection. The deconstructed nature of some of these pieces can actually become a work of art with a structural and modernist characteristic that cannot be intentionally duplicated. And don’t we all appreciate that sense of individuality? Imagine the satisfaction from something that is unique and will always be unique because no one can copy it. Savor that evolution from years of use, enjoyment, and care. Take pride in embracing a piece that earned it beauty and personality in it’s own right.

As British designer, Jasper Conran states in the attached video tour of his grand home in which we he embraces the pure along with the impure, “Patina is character. It represents the life an object and gives it soul. 
 

                         In Residence: Jasper Conran | via NOWNESS


LET'S GET COMFY

LET'S GET COMFY

Apartamento Magazine

François Halard via Apartmento Magazine

Comfort has come a long way from wooden and stone benches in the Middle Ages when it was thought that the body was diametrically opposed to the soul and that the body pulled us toward the sinful, sensual and earthly ways rather than the godly, spiritual and divine ways. The Renaissance was not only a fervent period of cultural, artistic, political and economic rebirth. It was also a period when we began to embrace the body in addition to the soul and the concept of comforting our body led to the development of comfort in the home. We started to see pillows on those hard benches in the 1600’s and eventually the concept of integrating comfort into a functional piece of furniture ie. upholstered furniture during the Elizabethan period in England and the Louis XIV period in France. Needless to say, it didn’t take long until the upholstered chair, settees, chaise lounges, canapes, daybeds and not to mention love seats became proliferate in Europe as well in England.

Needless to say comfort evolved and we saw entire rooms dedicated to comfort. ie. living or drawing rooms with the sofa as the mainstay. Sofas complete with designs that integrated carved wood frames integrated with upholstery were common in these earlier eras until the chesterfield in England retired the carved frames and introduced a fully cushioned yet still tailored sofa.

The delicate carved wood frames with swirls, stars, animals and angel wings were replaced with straight lines and geometric carved frames until the wood frame completely disappeared into the simplicity of the fully upholstered sofa as we know it today.

Ok enough about the evolution of the sofa. You are probably wondering about couches and how they fit into this story. It is said that sofas evolved from chairs with backs and arms to sit on whereas couches evolved from daybeds and chaise lounges. They did not have traditional arms and backs and were intended to lay on. Sofas are typically larger than couches and accommodate more
people to sit in a social setting where people congregate such as a sitting room, living room and family room. Couches are smaller and usually more comfy for you to lay on alone or more intimately with another usually in a more private area of the house such as a lounge or bedroom. Simply speaking, I like to think of them as a sofa for social or a couch to slouch.

Tufted Sofa, England circa 1880 via Lee Stanton 

Sources:
1st Photo:François Halard via @ApartamentoMagazine Instagram
2nd Photo: WRJ Design via @RushJenkins Instagram
3rd Photo: Clements Design via Architectural Digest

 


THE BEST OF BRIT

THE BEST OF BRIT


The Kennels at Goodwood, Sussex 

I would venture to say that when you are asked what comes to mind when you think French, your answer would be French wine, food, fashion and romance. Likewise, when you think Italian it will probably be pasta, clothing, leather goods, opera and drama.  When it comes to English it definitely won’t be food, probably not fashion or clothing, maybe literature but more often than not it will be English furniture, architecture and perhaps nobility.  This is not to say that the French or Italians did not have their impact on architecture and furniture.  In fact, their bold designs in various periods over time have emotionally influenced design in furniture and architecture more than any other country in the world.   So why do we relate the Brits to architecture and furniture?   Their designs were not bold.  They were not emotional. And they certainly were not romantic.

I believe that it is the safe, steady and consistent nature of British furniture or architecture that stands out over time.  It is humble but makes a statement.  It is strong but not dismissive. It is elegant but not gauche. If you were to relate British furniture to people, you would say they are stable, straightforward and someone you can rely on.  They don’t stand in your way and they definitely get along with others. They can be very proper but they know how to have fun.
 

Brandon Schubert via House & GardenWhen you look at the various styles and periods of French and to some extent Italian furniture, as beautiful as they are, they do not translate or flow into other styles or periods as smoothly as a Georgian piece into Regency or Victorian.  Or even more so another culture or style.  A nice Georgian piece goes nicely with an industrial piece from France or Belgium.  A Regency piece will probably flow nicely with an abstract painting from Eastern Europe.  But you probably would not mix a Louis XVI piece with industrial desk or abstract art.


So why is British furniture such a foundation in design while at the same time so versatile?   It all boils down to form and function.  As I mentioned it is straightforward. For the most part the lines are straight. You know what you are going to get and that it’s going to go well with and allow other pieces to standout.  It embraces and takes inspiration from other styles and periods yet stays true to itself.  It translates well and is also functional Think of drop leaf or extending tables, bookcases, servers, chests of drawers and comfy lounge chairs. They serve a purpose and make our life more comfortable.  

It’s no reason we relate to English furniture like we do to Italian pasta or French wine.  It’s a staple. It’s always been there and it’s always going to be there for us to enjoy.
     
                                   Designer Rose Uniacke takes us through

                                     her neo-Georgian home via Nowness

Sources:
1st Photo: The Kennels at Kennwood 
2nd Photo: House & Garden UK 
3rd Photo: @RoseUniacke Instagram


 








About Face

About Face

William McLure Interior Designer Classical Looks
Photo by Marta Xochilt Perez for The Maryn

Simplistic and artistic with a touch of Neo-Classical. William McLure does it again with this interior design project. We are particularly drawn to this one because it gives us an insight into the designers own home in Alabama. And, as expected, we love all the art! He is an artist, as well as a designer, which is why we always enjoy seeing his projects. All in all, this neo-classical look has us head over heels.

LOOKBOOK


William McLure Lookbook
Terra Cotta Bust of Man with Cement Remnants | France, 1940 (BJ6)
Abstract Oil Painting by artist Andre Lapiere titled "COMPOSITION"  | Germany, 1960 (BD155)
English Regency Upholstered Mahogany Chair | 
England, 1820 (BJ161